Paul Chisholm

b.1983

Chisholm’s practice is informed by popular culture, gender issues, the financial crisis, the appropriation of iconic works of Art and the eternal cleansing and contagion of society. The transcendence of political climates, controversies & cultural strife are key to the reading of his works. Utilising found & utilitarian objects, Sculpture is the key to the artists practice however diverse media including photography, video & drawing creates a practice which speaks of the contemporary.

Language and its idiosyncrasies combined with the juxtaposition of the Good, The Bad and the Ugly is a recurring theme in his works, in part political and activist for Gay Rights and in soul irreverence and whimsicality run deep.  Ultimately The Artists despair at the world and a fundamental desire to belong and be accepted even in the face of adversity are the truths behind this young artists his practice.  R.F Critic Feb 2012

Artist Statement December 2011 

My practice is a dissemination of popular culture and queer aesthetics. At the core of my interests lie the painful emotions of human nature crossed with the whimsicality of everyday occurrences. Using found objects, utilitarian and mass produced detritus. I configure objects which speak of the zeitgeist.

Being a gay man is central to both how my works can be read and how they come into being. From the persecution of and silencing of minority voices. To the globolisation of cultures and experience. Each work stands as a questioning of our beliefs and of the very nature to which we belong.

“ I create because I have no choice, the act of creation to make something unique and thought provoking is innate within my soul.

I  consume, digest, excrete and reflect on the contemporary fleeting moment, Each Art work stands as a memento of my thought process. Each piece is either a Positive and or negative reflection of its statement, Just like myself a positive human with negative thoughts, Constantly a virus in my veins, in my gut, stomach and brain, Each Artwork I create belongs on the edge of the precipice we call Earth. Neither here nor there or anywhere….  “

Excerpt from a review ” It’s really about Love” on Art slant by Aldrin Valdez 

Other works combine smirking irony and self-awareness with confrontational bluntness. Paul Chisholm’s makeshift crucifix, Love & H*I*V (2010), and Andrew Graham’s AIDS is God’s Curse(2009), are two of those purposely disturbing and inflammatory word-images. Like Imagevirus, they’re meant to make you feel uncomfortable with their double entendre. Chisholm’s vinyl letters on two crisscrossing pieces of plywood read “Fuck me I have… love and HIV.” It’s a message that points to a complicated doubling which exists inherently in language. Fuck me, because I have love. Fuck me, too, for my circumstances. Similarly, Graham’s wordsmithry overturns Fred Phelps’s hate mongering by placing the onus on God; AIDS is His curse. Ultimately, as these artists have shown, the meaning of a word or an image comes down to the reading, to the context in which it exists.

Catalogue text ” Hauntingly Beautiful” 2010 

The Art of Paul Chisholm is a conundrum, it is at once pleasing to the eye, but also disturbing at the same time. Many juxtaposed colours, objects and texts proliferate out of the everyday and extraordinary materials the artist utilizes in each of his works.

Touching on issues of health, life, sex, death, war, relationships, human emotions and the world as a contemporary fleeting moment, the artist seeks us to ask what is important in our lives and how we all have the power for change; even when obstacles seem insurmountable.

His sculptures are at first glance playful and childlike but with further investigation each work has serious undertones of a world struggling to deal with its own ideologies. To each statement said there is always someone who will agree or disagree just to play ones devils advocate. And the same goes for the works of this young artist each work plays against the other in a game of kiss and tell, to reveal to the viewer what is necessary and for what is to be seeped out of these mysterious and intriguing objects.

Life for humans is far from perfect one may say we are living in Hell and are far from the pure and perfect world some would like us to believe we are living……  I think the same goes for Chisholm’s art works; are we entering a fantasy land of playful fun or a more sinister laboratory of man’s making…….

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Education

Nottingham Trent University BA Fine Art

2001- 2004

Metafora Contemporani D’Tallers D’Arte, Barcelona, Espana

2010 -2011

Kensington and Chelsea college of Art and Design

Foundation in Professional Teaching Adults

2006-2007

Exhibitions

Solo

2012 Battle Ground, Espai d’art Waka, Palma, Mallorca, Spain ( September )

2007 The Paul McPherson Gallery, London, UK

2006 The Limelight Gallery, London, UK

2005 The library Gallery, Warwick University, Midlands, UK

2005 The Loft Gallery, Royal Leamington Spa, UK.

Group

2017

Queer Art(ists) Now Exhibition, Archive Gallery, London, U.K ( October )

The Debut, The Ply Gallery, Crouch End, London, U.K

The Arts Project, Dundas street, London, Canada.

Terrence Higgins Trust Auction Gala, Christies Auction House, London.

2016

Everyday exhibition, Visual Aids La Mama Gallery, The Bowery, New York

Summer salon, The Candid Arts Trust, London, U.K 

2012 

WeArt Festival, MOB Gallery, Barcelona, October ( upcoming)

Mixed Messages ( Touring) , Washington D.C, U.S.A,  July 2012

Flesh Art Fair, Palma, Mallorca, Hotel Palau sa Font. 27th, 28th & 29th July.

Floatsam & Jetsam, Tactic Gallery, Cork, Ireland, May 23rd – 2nd June.

( uncensored ) Queer Art and the Church, Leslie Lohman Gallery, N.Y, U.S.A

Finalist in The Arte Laguna Prize, Arsenal, Venice, Italy.

BookStore, Driftstation Gallery, lincoln, Nebraska, U.S.A

Postcards from the edge, Chiem & Read Gallery, NY, U.S.A

International postcard show, Surface Gallery, Nottingham, U.K

2011

GFEST: the Dreamscape Gallery, Hoxton, London, U.K

 Mailto: Drift Station Gallery, Lincoln, Nebraska, U.S.A

Mixed Messages:La Mama La Galleria, New York, U.S.A

The Alella project:: Can Manye Gallery, Alella, Barcelona, Espana

 Stairway to:Untitled BCN Gallery, Barcelona, Espana

2010

Des de fora:Punt Multimedia Gallery, Barcelona, Espana.

Pensa positiu:Convento de St Augustin Gallery, Barcelona, Espana.

Urban identity:Untitled BCN Gallery, Barcelona, Espana.

Social justice:Cubbits Arts, Islington, London, UK.

2009

An Ogee: Acquire arts Gallery, Battersea, London, UK

2007

The PrincesTrust: The Air Gallery, Mayfair, London, UK.

2006

To be an Artist:The Redchurch St Gallery, Shoreditch, London, UK

Deptford X:CorBlimey Arts Gallery, Deptford, London, UK

2005

The Red Door Gallery, Greenwich, London, UK

The where I feel in love Gallery, Shipston on Stour, UK

The South London Gallery, Video Lounge, London, UK

Media and Further Reading

Interview with Daniel Lopez for AtrapaMallorca, Battle Ground show. ( Spanish)

Exhibition Review, Time Out London, By Ana McKay 2011

GFESTis upon us ! Interview with Paul Chisholm By Raymund
The gaily Mail 2011

Love, Image virus & Mixed messages, Artslant By Aldrin Valdez. 2011

Noisy Rain Arts Magazine, Interview Issue 5 2011 www.Noisyrain.com

Clarity through mixed messages by Lily Bouvier,
Gay City News, New York. 2011

100 Artists of the male Figure, Published By Schiffer, New York 2011

Hauntingly Beautiful, Recent Works Catalogues, 2010 Published by Blurb online books, 2010.

A Bad Crit Online Interview Blog 2010

Hijack Reality, By Bob and Roberta smith, published by CT editions, 2008

http://www.youtube.com/watch?v=NJMW-bw4bagBBC midlands today interview  August 2005

The Leamington and Warwick Observer, Interview August 2005.

Awards / Grants / Residencies

Visual Aids, Artist Grant, 2011, 2012, 2017

The Cyprus College of Art Summer Residence 2004

The Princes Trust start up grant scheme for Artists 2004

The Sir Thomas Wyatt fund for Arts Education 2001

Erasmus Exchange Program @ Koninklijke Academie van Beeldende Kunsten, Den Haag 2002

Contact

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