Painting to Survive 1985-1995
Brooklyn Waterfront Artists Coalition
Marc Lida, The Saint, c 1985, acrylic on paper
Opening reception: Sunday, March 18, from 1-6pm
The Opening Reception will have on stage music performances by Spaghetti Eastern Music, The Frank Museum Project, Malcolm Smart and poetry readings by Philip F. Clark, Hilary Sideris, Anton Yakovlev and Don Yorty.
Painting to Survive: 1985-1995, a timely exhibition of twelve painters who lived and created during the AIDs epidemic and the culture wars of the Reagan and Bush years.
The early ‘80s saw an explosion of possibilities in Lower Manhattan for young artists to make and show work. Taking advantage of the economic upheavals of the 1970’s, these children of the so-called “Greatest Generation,” artists Audrey Anastasi, Jane Bauman, John Bradford, Suzan Courtney, Jean Foos, Joel Handorff, Richard Hofmann, Stephen Lack, Marc Lida, Michael Ottersen, Jonathan Weinberg and Fran Winant viewed New York with a sense of great optimism.
But the devastation of the AIDS epidemic, and the collapse of the East Village art scene, cast a pall over many of their careers. In the case of painters Richard Hofmann and Marc Lida, AIDS ended their lives too early. The survivors, having lost friends, family and colleagues to the disease, created traumatized, emotive paintings that fell out of fashion. Their work could find no place in an art world that increasingly valued parody, appropriation and minimalism over expressionism. Yet these artists kept painting with marvelous results.
This exhibition provides a chance to reassess their large body of under-recognized work, both in terms of its formal qualities, and as a form of sanctuary in hard times.
For all of these artists painting was a means of expressing anger and mourning, while balancing qualities of beauty and harmony; an abundance of form to combat a society that seemed at times heartless and indifferent. In the post-modern, post- minimalist late 20th Century, there was a tendency to distrust anything that might seem sentimental, favoring the ready-made over the hand-made, the deadpan over the emotional. These artists however had little patience for the cool detached quality of their contemporaries’ work. Vigorous brush stroke and passionate color was their way to respond to disease and death: painting life as it was felt.
Now, as we face a similar period in American history — one of intense anxiety, heightened animosity and fear, and newly focused attention to the issues of the underrepresented — the ways in which these artists used painting as a form of resistance and a means of salvation has renewed resonance. For all the emphasis on individual expression, there is a sense in which this school speaks of community with its urgent drive to communicate not only suffering and anger, but also the possibility of redemption through the generosity of paint.
"Painting to Survive: 1985-1995" is curated by the art historian and artist, Jonathan Weinberg. Weinberg teaches at the Yale School of Art and the Rhode Island School of Design and he is the Consulting Curator at the Maurice Sendak Foundation. His books include Ambition and Love in American Art, Male Desire: the Homoerotic in American Art and the forthcoming, Pier Groups: Art and Sex along the New York Waterfront.
"PAINTING TO SURVIVE: 1985-1995" is open to the public weekends from Sunday, March 18 through Saturday April 14, 1- 6 pm, and by appointment weekdays from March 13 - April 14. To arrange an appointment call 917-603-2154 or [email protected].